![]() ![]() ![]() That finding was interpreted as demonstrating that children are obliged to process speech signals as broad spectral patterns, regardless of the harmonic structure of the spectral components. The current study tested three alternative, auditory explanations for the observed coherence of target + cosignal: (1) unique spectral shapes of target + cosignal support labeling, (2) periodicity of target + cosignal promotes coherence, and (3) temporal synchrony across target + cosignal reinforces temporal expectancies. Adults, eight-year-olds, and five-year-olds labeled stimuli in five conditions: F1 only and F1 + a constant cosignal (both used previously) were benchmarks for comparing thresholds for F1 + 3 new cosignals. Children again showed greater CMP than adults, but none of the three hypotheses could explain their CMP. It was again concluded that children are obliged to recognize speech signals as broad spectral patterns.Īslin, R. “ Some developmental processes in speech perception,” Child Phonology 2, 67– 96. “ Adults listen selectively Infants do not,” Psychol. T., Studdert-Kennedy, M., Manuel, S., and Rubin-Spitz, J. “ Discovering phonetic coherence in acoustic patterns,” Percept. , Google Scholar Crossrefīoysson-Bardies, B. de, Sagart, L., Halle, P., and Durand, C. “ Acoustic investigations of cross-linguistic variability in babbling,” in Precursors of Early Speech, edited by B. Zetterstrom ( Stockton Press, New York), pp. Auditory Scene Analysis ( MIT Press, Cambridge, MA), pp. “ Noncategorical perception of stop consonants differing in VOT,” J. “ Perceptual grouping of speech components differing in fundamental frequency and onset-time,” Quart. “ Coherence masking protection in brief noise complexes: Effects of temporal alignment,” J. “ Coherence masking protection in speech sounds: The role of formant synchrony,” Percept. “ Masking protection in the perception of auditory objects,” Speech Commun. “ Spectral integration of speech bands in normal-hearing and hearing-impaired listeners,” J. “ Development of basic auditory discrimination in preschool children,” Psychol. “ Transformed up-down methods in psychoacoustics,” J. (83)90030-6, Google Scholar Crossref, ISI “ Some differences between phonetic and auditory modes of perception,” Cognition 14, 211– 235. ![]() ![]() (02)00157-9, Google Scholar Crossref, ISI “ Gradient effects of within-category phonetic variation on lexical access,” Cognition 86, B33– B42. “ Frequency discrimination in children: Perception, learning and attention,” Hear. “ Age-related differences in perceptual effects of formant transitions within syllables and across syllable boundaries,” J. “ Learning to perceive speech: How fricative perception changes, and how it stays the same,” J. “ Coherence in children's speech perception,” J. “ Developmental weighting shifts for noise components of fricative-vowel syllables,” J. “ The effect of segmental order on fricative labeling by children and adults,” Percept. “ The role of coarticulatory effects in the perception of fricatives by children and adults,” J. “ Coherence masking protection for speech signals in children and adults,” Atten. “ Phonetic coherence in duplex perception: Effects of acoustic differences and lexical status,” J. “ On the bistability of sine wave analogues of speech,” Psychol. “ On the perceptual organization of speech,” Psychol. “ Imitation and the emergence of segments,” Phonetica 57, 275– 283. “ Effects of temporal uncertainty and temporal expectancy on infants' auditory sensitivity,” J. #Coherence explained proġ25, 1040– 1049.Recent Examples on the Web Tobias Harris, Tyrese Maxey, Seth Curry and countless other pro ballers step up in the game sequences, which are excitingly shot by Zak Mulligan and edited with propulsive snap and coherence by Tom Costain, Brian Robinson and Keiko Deguchi. Justin Changfilm Critic, Los Angeles Times, 7 June 2022 Blackness, in Kang’s telling, equals real coherence, real grievance. 2021 Adding an extra measure of coherence to the three events, the full slate of Beethoven Concertos was performed by a single soloist, the exceptional English pianist Paul Lewis. ![]()
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